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RKO Radio Pictures released Danger Lights with Jean Arthur, Louis Wolheim, and Robert Armstrong on August 21, 1930 in a 65mm widescreen process known as NaturalVision, invented by film pioneer George K. Spoor. United Artists released The Bat Whispers directed by Roland West on November 13, 1930 in a 70mm widescreen process known as Magnafilm. Warner Brothers released Song of the Flame and Kismet (both 1930) in a widescreen process they called Vitascope. Metro-Goldwyn-Mayer, after experimenting with the system called Fanthom Screen for The Trail of '98 (1928), came out with a system called Realife in 1930. MGM filmed The Great Meadow (1930) in Realife—however, it's unclear if it was ever released in the widescreen process due to declining interest of the movie-going public.

By 1932, the Great Depression had forced studios to cut back on needless expense and it was not until 1953 that wider aspect ratios were again used in an attempt to stop the fall in attendance due, partially, to the emergence of television in the U.S. However, a few producers and directors, among them Alfred Hitchcock, have been reluctant to use the anamorphic widescreen size featured in such formats as Cinemascope. Hitchcock alternatively used VistaVision, a non-anamorphic widescreen process developed by Paramount Pictures and Technicolor which could be adjusted to present various flat aspect ratios.

Types

Masked (or flat). Introduced in April 1953. The negative is shot exposing the Academy Ratio using spherical lenses, but the top and bottom of the picture are hidden or masked off a metal aperture plate, cut to specifications of the theater's screen, in the projector. Alternatively, a hard matte in the printing or shooting stages may be used to mask off those areas while filming for composition purposes, but an aperture plate is still used to block off the appropriate areas in the theater. A detriment is that the film grain size is thus increased because only part of the image is being expanded to full height. Films are designed to be shown in cinemas in masked widescreen format but the full unmasked frame is sometimes used for television. In such an instance, a photographer will compose for widescreen, but "protect" the full image from things such as microphones and other filming equipment.

Super gauges The full negative frame, including the area traditionally reserved for the sound track, is filmed using a wider gate. The print is then shrunk and/or cropped in order to fit it back onto release prints. The aspect ratio for Super 35, for example, can be set to virtually any projection standard.

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Widescreen images are a variety of aspect ratios used in film, television and computer screens. In film, a widescreen film is any film image with a width-to-height aspect ratio greater than the standard 1.37:1 Academy aspect ratio provided by 35mm film.

For television, the original screen ratio for broadcasts was 4:3 (1.33:1). In the 2000s, 16:9 (1.78:1) TV displays have come into wide use. They are typically used in conjunction with Digital, High-Definition Television (HDTV) receivers, or Standard-Definition (SD) DVD players and other digital television sources.

With computer displays, aspect ratios wider than 4:3 are also called widescreen. Widescreen computer displays are typically of 16:9 aspect ratio.

History

Widescreen was first widely used in the late 1920s in some short films and newsreels, including Abel Gance's film Napoleon (1927) which had a final widescreen sequence in what Gance called Polyvision. Paramount Pictures released Old Ironsides (1927) in a widescreen process called Magnascope, and MGM released Trail of '98 (1928) in a widescreen process called Fanthom Screen.

On May 26, 1929, Fox Film Corporation released Fox Grandeur News and Fox Movietone Follies of 1929 in New York City in the Fox Grandeur process. Other films shot in widescreen were the musical Happy Days (1929) which premiered at the Roxy Theater, New York City, on February 13, 1930, starring Janet Gaynor and Charles Farrell and a 12 year old Betty Grable as a chorus girl; Song o’ My Heart, a musical feature starring Irish tenor John McCormack and directed by Frank Borzage (Seventh Heaven, A Farewell to Arms), which was shipped from the labs on March 17, 1930, but never released and may no longer survive, according to film historian Miles Kreuger (the 35mm version, however, debuted in New York on March 11, 1930); and the western The Big Trail (1930) starring John Wayne and Tyrone Power, Sr. which premiered at Grauman's Chinese Theatre in Hollywood on October 2, 1930[1], all of which were also made in the 70mm Fox Grandeur process.

Widescreen display modes

Widescreen televisions provide several modes for displaying video from 4:3 (standard aspect ratio) sources. These modes may be selected manually from a remote control, or automatically if an Active Format Descriptor is available.

Normal mode

Normal mode frames the 4:3 video to the 16:9 picture area by displaying it in its original aspect ratio, with vertical gray or black bars on both sides of the screen. The disadvantage of this method is the fact that the image is small by virtue of not using the entire width of the screen. This is also known as the 4:3 mode.

Full mode

Full mode horizontally stretches the 4:3 video evenly across the entire width of the screen. This is the proper mode to display anamorphic video. If used for standard aspect ratio video, everything on the screen will appear wider than normal. Contrast this with anamorphic video displayed without processing on a 4:3 display, in which people on the screen will appear taller than normal. This is also known as the 16:9 mode.

Zoom mode

Zoom mode evenly stretches the picture both horizontally and vertically, until the picture fills the entire width of the screen. This crops out the top and bottom of the picture. This mode is used for letterboxed and open matte video.

14:9 mode

In 14:9 mode, the picture is magnified more than in Normal mode, but less than in Zoom mode, while retaining the original aspect ratio.

Wide Zoom mode

Wide Zoom mode, also called Just mode, Horizon, or Smart Stretch, progressively stretches the picture horizontally, less in the middle and more on the edges. This allows normal aspect ratio video to be displayed across the entire width of the screen, with minimal cropping, and with much less of the unpleasing visual stretching effect of Full mode.

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Directional screen

Narrow viewing angle screens are used in some security conscious applications.

Autopolyscopic screen

A directional screen which generates 3D images without headgear.

Directional screen

Narrow viewing angle screens are used in some security conscious applications.

Autopolyscopic screen

A directional screen which generates 3D images without headgear.

Touch screen

These monitors use touching of the screen as an input method. Items can be selected or moved with a finger, and finger gestures may be used to convey commands. The screen will need frequent cleaning due to image degradation from fingerprints.

Tablet screens

A combination of a monitor with a graphics tablet. Such devices are typically unresponsive to touch without the use of one or more special tools' pressure. Newer models however are now able to detect touch from any pressure and often have the ability to detect tilt and rotation as well.

Touch and tablet screens are used on LCD displays as a substitute for the light pen, which can only work on CRTs

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Virtual displays

Screenshot of workspaces laid out by Compiz

Much software and video hardware supports the ability to create additional, virtual pieces of desktop, commonly known as workspaces. Spaces is Apple's implementation of virtual displays.

Additional features

Power saving

Most modern monitors will switch to a power-saving mode if no video-input signal is received. This allows modern operating systems to turn off a monitor after a specified period of inactivity. This also extends the monitor's service life.

Some monitors will also switch themselves off after a time period on standby.

Most modern laptops provide a method of screen dimming after periods of inactivity or when the battery is in use. This extends battery life and reduces wear.

Integrated accessories

Many monitors have other accessories (or connections for them) integrated. This places standard ports within easy reach and eliminates the need for another separate hub, camera, microphone, or set of speakers.

Glossy screen

Some displays, especially newer LCD monitors, replace the traditional anti-glare matte finish with a glossy one. This increases saturation and sharpness but reflections from lights and windows are very visible.

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Digital monitors

Monitors are being made which have only a digital video interface. Some digital display standards, such as HDMI and DisplayPort, also specify integrated audio and data connections. Many of these standards enforce DRM, a system intended to deter copying of entertainment content.

Configuration and usage

Multiple monitors

More than one monitor can be attached to the same device. Each display can operate in two basic configurations:

    * The simpler of the two is mirroring (sometimes cloning,) in which at least two displays are showing the same image. It is commonly used for presentations. Hardware with only one video output can be tricked into doing this with an external splitter device, commonly built into many video projectors as a pass through connection.

    * The more sophisticated of the two, extension allows each monitor to display a different image, so as to form a contiguous area of arbitrary shape. This requires software support and extra hardware, and may be locked out on "low end" products by crippleware.

    * Primitive software is incapable of recognizing multiple displays, so spanning must be used, in which case a very large virtual display is created, and then pieces are split into multiple video outputs for separate monitors. Hardware with only one video output can be made to do this with an expensive external splitter device, this is most often used for very large composite displays made from many smaller monitors placed edge to edge.

Multiple video sources

Multiple devices can be connected to the same monitor using a video switch. In the case of computers, this usually takes the form of a "Keyboard Video Mouse switch" (KVM) switch, which is designed to switch all of the user interface devices for a workstation between different computers at once.

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Single color screens

Green and amber phosphors were used on most monochrome displays in the 1970s and 1980s. White was uncommon because it was more expensive to manufacture, although Apple used it on the Lisa and early Macintoshes.

Modern technology

Analog monitors

Most modern computer displays can show the various colors of the RGB color space by changing red, green, and blue analog video signals in continuously variable intensities. These are almost exclusively progressive scan. Although televisions used an interlaced picture, this was too flickery for computer use. In the late 1980s and early 1990s, some VGA-compatible video cards in PCs used interlacing to achieve higher resolution, but the event of SVGA quickly put an end to them. While many early plasma and liquid crystal displays have exclusively analog connections, all signals in such monitors pass through a completely digital section prior to display.

While many similar connectors (13W3, BNC, etc.) were used on other platforms, the IBM PC and compatible systems standardized on the VGA connector in 1987.

CRTs remained the standard for computer monitors through the 1990s. The first standalone LCD displays appeared in the early 2000s and over the next few years, they gradually displaced CRTs for most applications. First-generation LCD monitors were only produced in 4:3 aspect ratios, but current models are generally 16:9. The older 4:3 monitors have been largely relegated to point-of-service and some other applications where widescreen is not required.

Digital and analog combination

The first popular external digital monitor connectors, such as DVI-I and the various breakout connectors based on it, included both analog signals compatible with VGA and digital signals compatible with new flat-screen displays in the same connector. Older 4:3 LCD monitors had only VGA inputs, but the newer 16:9 models have added DVI.

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TTL monitors

IBM PC with green monochrome display.

Monitors used with the MDA, Hercules, CGA, and EGA graphics adapters used in early IBM PC's (Personal Computer) and clones were controlled via TTL logic. Such monitors can usually be identified by a male DB-9 connector used on the video cable. The disadvantage of TTL monitors was the limited number of colors available due to the low number of digital bits used for video signaling.

Modern monochrome monitors use the same 15-pin SVGA connector as standard color monitors. They are capable of displaying 32-bit grayscale at 1024x768 resolution, making them able to interface with modern computers.

TTL Monochrome monitors only made use of five out of the nine pins. One pin was used as a ground, and two pins were used for horizontal/vertical synchronization. The electron gun was controlled by two separate digital signals, a video bit, and an intensity bit to control the brightness of the drawn pixels. Only four shades were possible; black, dim, medium or bright.

CGA monitors used four digital signals to control the three electron guns used in color CRTs, in a signaling method known as RGBI, or Red Green and Blue, plus Intensity. Each of the three RGB colors can be switched on or off independently. The intensity bit increases the brightness of all guns that are switched on, or if no colors are switched on the intensity bit will switch on all guns at a very low brightness to produce a dark grey. A CGA monitor is only capable of rendering 16 colors. The CGA monitor was not exclusively used by PC based hardware. The Commodore 128 could also utilize CGA monitors. Many CGA monitors were capable of displaying composite video via a separate jack.

EGA monitors used six digital signals to control the three electron guns in a signaling method known as RrGgBb. Unlike CGA, each gun is allocated its own intensity bit. This allowed each of the three primary colors to have four different states (off, soft, medium, and bright) resulting in 64 colors.

Although not supported in the original IBM specification, many vendors of clone graphics adapters have implemented backwards monitor compatibility and auto detection. For example, EGA cards produced by Paradise could operate as an MDA, or CGA adapter if a monochrome or CGA monitor was used in place of an EGA monitor. Many CGA cards were also capable of operating as MDA or Hercules card if a monochrome monitor was used.